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what are the lyrics to jesus christ superstar

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Stone opera past Andrew Lloyd Webber and Tim Rice

Jesus Christ Superstar
Jcs us cover.png

Anthology cover for the 1970 American release of Jesus Christ Superstar

Music Andrew Lloyd Webber
Lyrics Tim Rice
Premiere 12 Oct 1971 (1971-10-12): Mark Hellinger Theatre
Productions
  • 1970 Concept album
  • 1971 Broadway
  • 1972 West End
  • 1977 Broadway
  • 1996 West Finish
  • 2000 Broadway
  • 2012 Broadway
  • 2012 UK bout
  • 2016 Regent's Park Open Air
  • 2019 The states tour

Jesus Christ Superstar is a sung-through rock opera with music past Andrew Lloyd Webber and lyrics by Tim Rice. Loosely based on the Gospels' accounts of the Passion, the piece of work interprets the psychology of Jesus and other characters, with much of the plot centered on Judas, who is dissatisfied with the direction in which Jesus is steering his disciples. Contemporary attitudes, sensibilities and slang pervade the rock opera's lyrics, and ironic allusions to modern life are scattered throughout the depiction of political events. Phase and moving picture productions accordingly comprise many intentional anachronisms.

Initially unable to become backing for a stage product, the composers released it equally a concept anthology, the success of which led to the show's Broadway on-phase debut in 1971. By 1980, the musical had grossed more than $237 million worldwide.[1] Running for over eight years in London between 1972 and 1980, it held the record for longest-running Westward End musical before it was overtaken by Cats in 1989.[2]

Plot [edit]

Human activity I [edit]

Judas Iscariot, i of the Twelve Apostles, worries that the followers of Jesus are getting out of control and may be seen as a threat by the Roman Empire, who might harshly suppress them ("Heaven on Their Minds").

The other apostles anticipate going to Jerusalem with Jesus and ask him nearly his plans, but Jesus tells them not to worry nearly the future ("What's the Buzz"). Mary Magdalene tries to help Jesus relax. Judas tells Jesus that he should not associate with Mary, because a human relationship with a sexual practice-worker could be seen as inconsistent with his ain teachings and be used confronting him ("Strange Thing Mystifying"). Jesus tells Judas that he should non judge others unless he is without sin. Jesus then reproaches the apostles and complains that none of them truly cares about him. Mary Magdalene tries to reassure Jesus while anointing him with oil ("Everything's Alright"). Judas angrily says that the coin spent on oil should have been used to aid the poor. Jesus answers that they do not have the resources to end poverty, and that they should exist glad for what comforts they take.

Meanwhile, Caiaphas, the High Priest of Israel, assembles the Pharisees and priests. Similar Judas they fear that Jesus's followers will be seen as a threat past the Romans, and that many Jews might endure the consequences. Caiaphas concludes that for the greater skillful, Jesus must be killed ("This Jesus Must Die"). As Jesus and his followers arrive exultantly in Jerusalem, they are confronted past Caiaphas, who demands that Jesus disperse the crowd. Jesus instead greets the happy crowd ("Hosanna"). Then Simon the Zealot suggests that Jesus lead his mob in a state of war confronting Rome and gain absolute power. Jesus rejects this, stating that none of his followers empathise what true power is ("Simon Zealotes/Poor Jerusalem").

Pontius Pilate, the governor of Judea, has a dream in which he meets a Galilean and and so receives the arraign for the homo's fierce death at the easily of a mob ("Pilate's Dream"). Jesus arrives at the Temple and finds that information technology is beingness used equally a market; angered by this, he drives anybody out ("The Temple"). A group of lepers inquire Jesus to heal them. Their number increases, and overwhelmed, Jesus rejects them. Mary Magdalene sings him to sleep ("Everything'due south Alright (Reprise)"). While he sleeps, Mary acknowledges that she is in love with him, and it frightens her ("I Don't Know How to Honey Him").

Conflicted, Judas seeks out the Pharisees and proposes helping them abort Jesus, believing that Jesus is out of control and that Jesus himself would corroborate of his action. In commutation for his help, Judas is offered thirty pieces of silver. Judas initially refuses, then accepts when Caiaphas suggests that he can employ the money to help the poor ("Damned for All Time/Claret Coin").

Deed II [edit]

Jesus shares a Passover meal with his disciples, where they get drunkard and pay fiddling attention to him. He remarks that "for all y'all care" the wine they are drinking could be his blood and the bread his body. He asks them to remember him, then frustrated by their lack of understanding, he predicts that Peter will deny him three times that night, and that another one of them will betray him. Judas admits that he is the one who volition betray Jesus and, saying that he does non understand why Jesus did not plan things better, leaves ("The Final Supper").

The remaining apostles fall asleep, and Jesus retreats to the Garden of Gethsemane to pray ("Gethsemane (I Only Want to Say)"). He tells God his doubts about whether his mission has had any success, and angrily demands to know why he should continue and suffer the horrible death that awaits him. Receiving no answer, he realises that he cannot defy God's will, and surrenders to God.

Judas arrives with Roman soldiers and identifies Jesus by kissing him on the cheek ("The Arrest"). When Jesus is brought to trial before the Sanhedrin, Caiaphas demands to know if he calls himself the Son of God, and Jesus responds merely "That'south what you say". Annas says that this is sufficient evidence and Caiaphas sends him to Pilate. Meanwhile, Peter is confronted by three people, to whom he denies that he knows Jesus ("Peter's Denial"). Mary observes that Jesus had predicted this.

Pilate asks Jesus if he is the Rex of the Jews. Jesus again answers "That'due south what you say". Since Jesus is from Galilee, Pilate says that he is non nether his jurisdiction and sends him to King Herod ("Pilate and Christ"). The flamboyant King Herod asks Jesus to prove his divinity by performing miracles ("King Herod'due south Song"), but Jesus ignores him. Herod angrily sends him back to Pilate. Mary Magdalene, Peter, and the apostles remember when they first began following Jesus, and wish that they could return to a time of peace ("Could We Outset Again, Please?").

Judas is horrified at Jesus' harsh treatment. He expresses regret to the Pharisees, fearing that he will forever exist remembered as a traitor. Caiaphas and Annas assure him that he has done the correct thing. Judas throws downwardly the money he was given and storms out. He curses God for manipulating him, and commits suicide ("Judas's Death").

At Jesus'southward trial, Pilate attempts to interrogate Jesus, but is cut off past a bloodthirsty mob which demands that Jesus be crucified.[a] He tells the mob that Jesus has committed no offense and does not deserve to die, just to satisfy the mob he will accept Jesus flogged ("Trial Earlier Pilate"). Pilate pleads with Jesus to defend himself, but Jesus says weakly that everything has been determined by God. The oversupply nevertheless calls for Jesus's death and finally Pilate reluctantly agrees to crucify Jesus.

As Jesus awaits crucifixion, the spirit of Judas returns and questions why Jesus chose to arrive in the manner and fourth dimension that he did, and if information technology was all role of a divine plan ("Superstar"). Jesus is crucified, recites his final words and dies ("The Crucifixion"). Jesus' body is taken down from the cross and then buried into a nigh cavern to the mountain where he died ("John Nineteen: Xl-One").

Principal roles [edit]

Character Voice blazon Clarification
Jesus Christ tenor (A2–G5) Title role, leader of the twelve disciples, chosen the "Son of God" and the "King of the Jews."
Judas Iscariot tenor (D3–D5) One of Jesus' twelve apostles; concerned for the poor and the consequences of Jesus's fame.
Mary Magdalene mezzo-soprano (F3–Eastward ♭ 5) A female follower of Jesus who finds herself falling in love with him.
Pontius Pilate baritenor (A2–B ♭ 4) Governor of Judea who foresees the events of Jesus's crucifixion from starting time to aftermath in a dream and finds himself being presented with that very state of affairs.
Caiaphas bass (C ♯ 2–F4) Loftier priest who sees Jesus as a threat to the nation.
Annas countertenor (G2–D5) Fellow priest at the side of Caiaphas who is persuaded past Caiaphas into seeing Jesus every bit a threat.
Peter baritone (A2–G4) One of Jesus's twelve apostles; denies Jesus iii times upon the night of Jesus'southward arrest to save himself.
Simon Zealotes tenor (G3–B4) One of Jesus'due south twelve apostles; urges Jesus to lead his followers into battle against the Romans.
Male monarch Herod baritone (C ♯ 3–G4) The King of Galilee; Jesus is brought to him for judgment later kickoff existence taken to Pilate.

Musical numbers [edit]

Production [edit]

The songs were written and conceived as an album musical, earlier the musical was created and staged.[3] On the original album, the part of Jesus was sung by Ian Gillan, with Murray Head as Judas, Michael d'Abo equally Male monarch Herod, Yvonne Elliman as Mary Magdalene, and Barry Dennen equally Pilate. In July 1971, the get-go authorised American concert of the rock opera took identify in front of an audience of thirteen,000 people at Pittsburgh, Pennsylvania'southward Borough Arena with Jeff Fenholt singing the role of Jesus, Carl Anderson as Judas and Elliman repeating as Mary Magdalene.[4]

In August 1971, MCA Records executive David Skepner reported that MCA had been investigating and shutting down 21 unauthorised productions in the Usa to protect the rights of London-based Leeds Music who owned the musical. The biggest violations Skepner plant were a theatre troupe from Toronto that had crossed the US–Canada border to perform with the Detroit Symphony Orchestra, with only a few hours prior announcement, and another large production mounted by the Las Vegas Hilton. Other American cities with unauthorised productions included Washington D.C., Boston, Kansas City, Baltimore, San Francisco, Cincinnati, Richmond, Louisville, Cleveland, St. Louis, Memphis, Atlanta, Columbus, Troy, Philadelphia, Los Angeles, New Orleans, Brooklyn in New York City and Hollywood, Florida. Court injunctions were obtained in each of these cities to close the shows. Producer Robert Stigwood, who was assembling an authorised touring visitor, called these unsanctioned groups "outright pirates", stressing that he would continue to protect his rights by "relentlessly" pursuing legal activity.[v]

Original Broadway production [edit]

The musical opened on Broadway on 12 October 1971, directed past Tom O'Horgan, at the Mark Hellinger Theatre. It starred Jeff Fenholt every bit Jesus, Ben Vereen as Judas and Bob Bingham as Caiaphas. Dennen and Elliman played the roles that they had sung on the anthology. Paul Ainsley was Herod.[ citation needed ] Carl Anderson replaced Vereen when he savage ill, and the two performers afterward took turns playing the role. The evidence closed on 30 June 1973 after 711 performances. The product received mixed reviews; the assuming casting of African-Americans equally Judas was lauded, merely reviewer Clive Barnes from The New York Times said, "the real disappointment was non in the music ... just in the conception."[vi] [seven] The show was nominated for five Tony Awards, including All-time Score, but won none. Lloyd Webber won a Drama Desk-bound Award as "Most Promising Composer", and Vereen won a Theatre World Laurels.

Controversy [edit]

The Broadway show and subsequent productions have been condemned by a few religious groups. Tim Rice was quoted as saying "Information technology happens that we don't run into Christ every bit God only simply the right man at the right time at the right place."[eight] [ix] Some Christians considered such comments to exist blasphemous, the character of Judas also sympathetic and some of his criticisms of Jesus offensive.[10] The musical's lack of innuendo to the resurrection of Jesus has resulted in criticism like to that of fellow musical Godspell, which also did not clearly draw the resurrection.

At the aforementioned time, some Jews claimed that information technology bolstered the antisemitic belief that the Jews were responsible for Jesus'southward decease by showing most of the villains as Jewish (Caiaphas and the other priests, Herod) and showing the crowd in Jerusalem calling for the crucifixion.[eleven] [12] The musical was also banned in South Africa for beingness "irreligious".[thirteen] A 1972 production of the rock opera was banned in the Hungarian People's Democracy for "distribution of religious propaganda".[14]

Other 1970s and 1980s productions [edit]

Paul Nicholas in Jesus Christ Superstar

Superstar opened at the Palace Theatre in London in 1972, starring Paul Nicholas every bit Jesus, Stephen Tate as Judas and Dana Gillespie as Mary Magdalene. Information technology was directed past Australian Jim Sharman. This production was much more than successful than the original product on Broadway, running for 8 years and condign the United Kingdom's longest-running musical at the time. Dmitri Shostakovich attended this production in London just before his death. He regretted that he could not have composed something like it; he lauded especially a rock band underpinning full symphonic strings, brass and woodwind.[15]

I of the earliest foreign productions was a five-day run in Sweden at Scandinavium in Gothenburg, opening on 18 Feb 1972 and playing to 74,000 people (a record at the time). Starring equally Mary Magdalene was Agnetha Fältskog. On 16 March 1972 an oratorio version was performed at Memorial Drive Park in Adelaide, South Commonwealth of australia every bit part of the Adelaide Festival of the Arts.[sixteen] This was followed in May past the starting time full Australian production, at the Capitol Theatre, Sydney, later moving to the Palais Theatre in Melbourne.[17] Sharman again directed, and the bandage included Trevor White as Jesus, Jon English every bit Judas, and Michele Fawdon (1972–1973) and Marcia Hines (1973–1974) every bit Mary Magdalene. Hines was the first blackness woman to play the role. Other bandage members included Reg Livermore, John Paul Young, Stevie Wright and Rory O'Donoghue likewise as Graham Russell and Russell Hitchcock who met during the production and subsequently formed the band Air Supply. The product ran until February 1974.[ citation needed ] In June 1972 the show opened in Belgrade, Yugoslavia, in Atelje 212 theatre, in adaptation by Jovan Ćirilov.[xviii] The part of Jesus Christ was played by Korni Grupa vocalist Zlatko Pejaković, the role of Mary Magdalene by Azra Halinović and the role of Pontius Pilate by Branko Milićević.[18] The premiere was directly circulate past Radio Telly of Belgrade.[18] Bora Đorđević and Srđan Marjanović, at the fourth dimension little known musicians, also participated as members of the choir.[19] [twenty] The production was praised by the Yugoslav public.[18]

In 1973, the testify opened in Paris at the Théâtre de Chaillot in a French adaptation by Pierre Delanoë. The championship role was sung by Daniel Beretta, and Mary Magdalena was Anne-Marie David. The critics were unimpressed, and the production stopped after 30 performances.[ citation needed ] In the aforementioned twelvemonth, Noel Pearson produced the prove at the Gaiety Theatre, Dublin, Republic of Ireland, with Luke Kelly giving a critically acclaimed performance equally Male monarch Herod and Jim McCann as Petrus.[21] In 1974, first Castilian-language production ran in United mexican states with the title "Jesucristo Super Estrella". Julissa played Mary Magdalen. Ane year subsequently, the musical was released for the 2nd time in a Spanish-speaking country. It was released in Kingdom of spain under the title "Jesucristo Superstar" and directed past the Spanish singer and songwriter Camilo Sesto, who too played the title role of Jesus Christ. The musical was seen in 1974 in Peru and Singapore.[22]

Robert Stigwood launched two road touring companies in 1971 to embrace N America, with Robert Corff and Tom Westerman as Jesus, respectively.[ commendation needed ] The first major US National Tour, notwithstanding began In 1976, managed past Laura Shapiro Kramer. The tour continued until 1980. In 1977, the show had its starting time Broadway revival, running from 23 Nov 1977 to 12 February 1978. It was directed by William Daniel Grey, with choreography by Kelly Carrol and starred William Daniel Grey every bit Jesus, Patrick Jude equally Judas, and Barbara Niles as Mary Magdalene.[23] Regional productions followed.[ citation needed ]

In 1981, Emilio de Soto directed an English-language version in Venezuela, with 163 actors.[ citation needed ] From 1982 to 1984, an Australian product toured Australia and Southward-Eastern asia, directed by Trevor White, who as well reprised his role of Jesus. The cast included Doug Parkinson as Judas and Marcia Hines (reprising her role as Mary Magdalene).[ citation needed ]

1990s and 2000s [edit]

The Northward American touring revival of Superstar in 1992 starred Neeley and Anderson reprising their corresponding Broadway and 1973 pic roles equally Jesus and Judas, receiving positive reviews for their performances. This production also starred both Dennis DeYoung as Pilate, and Syreeta and Irene Cara sharing Mary Magdalene. Originally expected to run for iii to four months, the tour concluded up running for v years. Original cast replacements to this tour included Christine Rea as Mary Magdalene, Jason Raize as Pontius Pilate and Simone equally the Maid past the Fire and understudy for Mary. In 1994, a New Zealand production starred Darryl Lovegrove as Jesus, Jay Laga'aia as Judas and Frankie Stevens as Caiaphas. As well in 1994, a stage version titled Jesus Christ Superstar: A Resurrection was performed in Atlanta, Austin and Seattle featuring Amy Ray and Emily Saliers of the Indigo Girls as Jesus and Mary Magdalene respectively, and Michael Lorant every bit Judas.

In 1996, the musical was revived in London at the Lyceum Theatre and ran for a year and a half. Directed by Gale Edwards, information technology starred Steve Balsamo and Zubin Varla as Jesus and Judas, and Joanna Ampil as Mary Magdalene. Alice Cooper sang the role of King Herod on the bandage recording, but did not play the office on phase. The product was nominated for an Olivier Award for Best Musical Revival but did not win. It was followed by a United kingdom of great britain and northern ireland tour. This production was revived on Broadway at the Ford Center for the Performing Arts in 2000, starring Glenn Carter as Jesus and Tony Vincent equally Judas. It opened to mixed reviews and ran for 161 performances.[24] It was nominated for a Tony Accolade for Best Revival of a Musical only did not win. In 2002, a national tour starred Sebastian Bach equally Jesus and Anderson once again as Judas. Bach received mixed reviews while Anderson was again praised. In April 2003, Bach was replaced by Eric Kunze. Anderson left the show later in 2003 later on being diagnosed with leukaemia and died in 2004. The tour closed shortly subsequently Anderson's divergence.

In 2004 a twelvemonth-long United kingdom of great britain and northern ireland tour began, directed past Bob Tomson and Beak Kenwright. Carter reprised his role every bit Jesus, with James Trick every bit Judas. In 2005, a successful Scandinavian tour starred Australian Peter Tater (Jesus), American Kristen Cummings (Mary), Englishman Jon Boydon née Stokes (Judas), Frenchman Jérôme Pradon (King Herod) and Australian Michael-John Hurney (Pilate). A US tour starring Neeley, reprising his part as Jesus, Corey Glover as Judas, and Christine Rea as Mary, began in 2006 and played for five years. A Chilean heavy metal version has played annually in Santiago since 2004.[25] In Boston, Gary Cherone portrayed Jesus in productions in 1994, 1996 and 2003 and Judas in 2000.

2010s and 2020s [edit]

A new production of Jesus Christ Superstar was mounted at the Stratford Shakespeare Festival, in Stratford, Ontario, in 2011. Directed by Des McAnuff, the cast starred Paul Nolan as Jesus, Josh Young as Judas, Brent Carver as Pilate, Chilina Kennedy as Mary Magdalene, Bruce Dow equally Herod and Melissa O'Neil equally Martha. This moved to La Jolla Playhouse afterward in the year and transferred to the Neil Simon Theatre on Broadway in 2012, with Tom Hewitt taking over the role of Pilate.[26] Reviews were mixed.[27] [28] The revival was nominated for 2 Tonys: Best Revival and, for Young, All-time Player.[29] Neither award was won, but Young won a Theatre Globe Honour. The revival closed after 116 performances and 24 previews.[thirty]

Through a 2012 ITV competition Television receiver show chosen Superstar, produced by Andrew Lloyd Webber, the UK public chose Ben Forster for the part of Jesus in an arena tour of the musical, beginning at O2 in September 2012.[31] [3] The production also starred Tim Minchin equally Judas, Melanie C every bit Mary Magdalene and Chris Moyles as King Herod.[32] Lloyd Webber stated, "The funny thing is that Jesus Christ Superstar [as a rock concert] is what we actually intended it to be. When it is done in a conventional proscenium theatre production it feels shoe-horned in. That is why I wanted to do this."[3] The bout resumed in March 2013 in the UK, and an Australian leg of the tour commenced in Perth in May 2013.[33] Andrew O'Keefe played King Herod in Australia, with Jon Stevens equally Pilate. Stevens had played Judas in an Australian arena tour in 1992.[34] [35]

In 2016, celebrating 45 years since the musical debuted on Broadway, Jesus Christ Superstar returned to London at Regent's Park Open Air Theatre from 15 July to 27 August, directed past Timothy Sheader. The production won the BBC Radio 2 Audience Award for Best Musical at the Evening Standard Theatre Awards,[36] and a Laurence Olivier Award for Best Musical Revival.[37] The production returned to the Open Air Theatre every bit function of the 2017 flavour, running from 11 Baronial 2017 to 23 September.[38] Additionally, the Lyric Opera of Chicago hosted a run of the product from late Apr 2018 to late May 2018.[39] before returning to London at the Barbican Eye from 9 July to 24 Baronial 2019 prior to a 50th anniversary Us bout from October 2019.[40] However, due to the COVID-nineteen pandemic, the US tour was temporarily suspended in March 2020. The production returned to Regent'southward Park Open Air Theatre in a socially distanced surroundings in a concert staging from fourteen August to 27 September 2020.[41] The US tour resumed performances on 28 September 2021 at the Keller Auditorium.

On Nov 23, 2021, James D. Beeks, who played Judas in the tour, was arrested for involvement in the 2021 United states of america Capitol assail. Beeks, performing in the show nether the stage name James T. Justis, is declared to have been one of those who forced entry into the capitol and to accept paid dues to the far right-wing anti-authorities militia Oath Keepers.[42] Beeks was immediately suspended from the touring product with the role of Judas causeless past some other performer in the cast.[43] On December 2, 2021; Tyrone Huntley, who played Judas in the 2016 London production was announced to have replaced Beeks.[44]

In 2017, a production featuring an all-Blackness cast was directed past Ron Kellum at the Paramount Theatre in Aurora, IL. Kellum'southward production ran from April 19, 2017, through May 28, 2017.[45] [46]

Notable international productions [edit]

2013 product in Rotterdam, Netherlands

Two notable Jesuses were Takeshi Kaga, in the 1976 Japanese production, and Camilo Sesto in the 1975 Spanish production.[ why? ] Mary Magdalene was played by Rocío Banquells in a 1981 production in Mexico. A Czech version premiered in 1994 in Prague'southward Spirála Theatre and ran until 1998, with 1288 performances.[47] In the 2000s, a Venezuelan production ran for 2 years (2006–2008), directed by Michel Hausmann. A Castilian production produced by Phase Entertainment ran from 2007 to 2009, followed by long-running productions in Italy and Sweden (featuring Ola Salo) and Norway.

Concerts of the show have been mounted in Vienna, Austria, since 1981, including one on Easter of 2015 starring Drew Sarich in the title office.[48]

In 2010, an Australian product presented by Harvest Rain Theatre Company was directed by Tim O'Connor. Luke Kennedy appeared equally Jesus, Naomi Cost as Mary, Tod Strike every bit Judas, and Steven Tandy as Herod. A 2017 Professional Australian Production was staged at the Arts Centre Melbourne and starred Rob Mills as Jesus.

A 2014 production in São Paulo, Brazil starred Igor Rickli equally Jesus. Negra Li was Mary Magdalene.[49] A 2014 production in Lima, Peru, at the Sarita Colonia prison house, as function of a rehabilitation program for inmates, received some press.[50] Eighty prisoners mounted the production, directed by inmate Freddy Battifora, who also played the role of Jesus.[51] The Catholic Church canonical of the production.[51]

In 2018, a new production, directed by Michael Hunt was premiered at the Perm Academic Theatre, Russia. Hunt worked closely with The Really Useful Grouping on a new translation together with the concept for a new staging. This rock opera is very popular in Russian federation only is the first authorised product to receive the support of the Actually Useful Grouping.

Recordings and radio broadcasts [edit]

The original 1970 concept album was very pop; its 1971 release topped the US Billboard Pop Albums.[52] The 1972 and 1992 Australian cast recordings were also both highly successful.[53]

In 1994, a studio recording under the name of Jesus Christ Superstar: A Resurrection was released.

A 1996 radio production for BBC Radio ii starred Tony Hadley as Jesus, Roger Daltrey every bit Judas, Frances Ruffelle as Mary Magdalene and Julian Clary every bit King Herod; this production was re-broadcast on BBC Radio 4 Extra on half-dozen Baronial 2016.[54]

In May 2018, Aztec Records released a 1973 live recording of the Australian production; previous recordings of that production were released equally "bootleg" copies.[55]

Adaptations [edit]

Films [edit]

A pic adaptation of Jesus Christ Superstar was released in 1973. The film, directed by Norman Jewison, was shot in Israel[56] and other Middle Eastern locations. Ted Neeley, Carl Anderson and Yvonne Elliman were each nominated for a Golden Globe Award for their portrayals of Jesus, Judas and Mary Magdalene, respectively. Bob Bingham (Caiaphas) and Barry Dennen (Pilate) also reprised their roles. A new song, called "So We Are Decided" and phrased as a dialogue between Caiaphas and Annas, was written for this adaptation.

A second accommodation was filmed in 1999, and released around the world on video in 2000 and 2001.[57] It starred Glenn Carter as Jesus, Jérôme Pradon as Judas, Reneé Castle as Mary Magdalene, and Rik Mayall as Herod, and was directed by Gale Edwards and Nick Morris. Information technology was released on video in the UK in Oct 2000.[58] In the U.S. it was released on VHS and DVD in March 2001, and aired on PBS's Great Performances series in April 2001.[59] It won the International Emmy Honor for All-time Performing Arts Film in November 2001.[sixty] The style of the film is more like the stage version than the location-based 1973 adaptation, and it used many of the ideas from the 1996–1999 Uk production.[57]

Television [edit]

On Easter Sunday, 1 April 2018, NBC aired a live concert version of the show featuring John Legend every bit Jesus, Sara Bareilles as Mary Magdalene, Brandon Victor Dixon as Judas, Alice Cooper every bit Rex Herod, Norm Lewis as Caiaphas, Ben Daniels equally Pilate, Jin Ha every bit Annas, Erik Grönwall as Simon Zealotes and Jason Tam as Peter.[61]

Main roles and casting history [edit]

Graphic symbol Concept Album
(1970) [62] 		Broadway
(1971) [63] 		West End
(1972) [64] 		Broadway Revival
(1977) [65] 		West End Revival
(1996) [66] 		Broadway Revival
(2000) [67] 		Broadway Revival
(2012) [68] 		UK Arena Tour
(2012) [69] 		U.s. Tour
(2019) [seventy]
Jesus Christ Ian Gillan Jeff Fenholt Paul Nicholas William Daniel Grey Steve Balsamo Glenn Carter Paul Nolan Ben Forster Aaron LaVigne
Judas Iscariot Murray Caput Ben Vereen Stephen Tate Patrick Jude Zubin Varla Tony Vincent Josh Young Tim Minchin James Delisco Beeks
Mary Magdalene
Yvonne Elliman
 Dana Gillespie Barbara Niles Joanna Ampil Maya Days Chilina Kennedy Melanie C Jenna Rubaii
Caiaphas Victor Brox Bob Bingham George Harris Christopher Cablevision Pete Gallagher Frederick B. Owens Marcus Nance Pete Gallagher Alvin Crawford
Pontius Pilate
Barry Dennen
 John Parker Randy Wilson David Burt Kevin Grey Tom Hewitt Alexander Hanson Tommy Sherlock
Annas Brian Keith Phil Jethro Jimmy Cassidy Steve Schochet Martin Callaghan Ray Walker Aaron Walpole Gerard Bentall Tyce Green
Simon Zealotes John Gustafson Dennis Buckley Derek James Bobby London Glenn Carter Michael K. Lee Lee Siegel Giovanni Spano Eric A. Lewis
Peter Paul Davis Michael Jason Richard Barnes Randy Martin Jonathan Hart Rodney Hicks Mike Nadajewski Michael Pickering Tommy McDowell
King Herod Mike d'Abo Paul Ainsley Paul Jabara Marker Syers Nick Holder
(Alice Cooper in cast recording) 		Paul Kandel Bruce Dow Chris Moyles Paul Louis Lessard

Awards and nominations [edit]

Original Broadway product [edit]

Year Award ceremony Category Nominee Result
1972 Tony Laurels Best Performance by a Featured Role player in a Musical Ben Vereen Nominated
All-time Original Score Andrew Lloyd Webber and Tim Rice Nominated
Best Breathtaking Design Robin Wagner Nominated
Best Costume Design Randy Barceló Nominated
All-time Lighting Design Jules Fisher Nominated
Drama Desk Honour Most Promising Composer Andrew Lloyd Webber Won
Theatre World Award Ben Vereen Won

1996 West Stop revival [edit]

Year Award ceremony Category Nominee Issue
1997 Laurence Olivier Award Best Musical Revival Nominated

2000 Broadway revival [edit]

Twelvemonth Honor ceremony Category Nominee Consequence
2000 Tony Award Best Revival of a Musical Nominated

2012 Broadway revival [edit]

Year Honor ceremony Category Nominee Result
2012 Tony Honor Best Revival of a Musical Nominated
Best Operation by a Featured Thespian in a Musical Josh Immature Nominated
Drama Desk Award Outstanding Revival of a Musical Nominated
Outstanding Sound Design Steve Canyon Kennedy Nominated
Theatre World Award Josh Immature Won

2016 Regent's Park Open Air Theatre revival [edit]

Twelvemonth Award ceremony Category Nominee Issue
2016 Evening Standard Theatre Honor[36] All-time Musical Won
Emerging Talent Tyrone Huntley Won
2017 Laurence Olivier Honour[71] Best Musical Revival Won
Best Actor in a Musical Tyrone Huntley Nominated
Best Theatre Choreographer Drew McOnie Nominated
Best Lighting Blueprint Lee Curran Nominated
All-time Sound Pattern Nick Lidster for Autograph Nominated
Outstanding Accomplishment in Music The ring and company Nominated

Notes [edit]

Explanatory notes [edit]

  1. ^ In the Broadway production, a stanza is added where Pilate admonishes the crowd for their sudden respect for Caesar, as well as for how they "produce Messiahs by the sackful"; this was kept for the film and subsequent productions.

Citations [edit]

  1. ^ "London's Longest-Running Musical To Close". The Indianapolis Star. 20 August 1980. p. 25. Retrieved 8 June 2020.
  2. ^ Sternfeld, Jessica (2006). The Megamusical. Indiana University Press. p. 169. ISBN978-0-253-34793-0.
  3. ^ a b c Theatre Features. "Andrew Lloyd Webber interview: the second coming of Jesus Christ Superstar". Telegraph. Archived from the original on 11 January 2022. Retrieved 21 November 2013.
  4. ^ Entertainment Weekly, 19 July 1996
  5. ^ Taylor, Robert (15 August 1971). "Chasing Stone Opera Pirates". Oakland Tribune. p. 117.
  6. ^ "The 'Splainer: The stormy, surprising history of 'Jesus Christ Superstar' - Organized religion News ServiceReligion News Service". Religionnews.com. 29 March 2018. Retrieved 5 April 2018.
  7. ^ "TimesMachine: Theater: Christ's Passion Transported to the Phase in Guise of Serious Pop; ' Jesus Christ Superstar' Billed as Rock Opera Music's Vitality Asset to O'Horgan Work - NYTimes.com". Timesmachine.nytimes.com. Retrieved 5 Apr 2018.
  8. ^ Time magazine', 9 November 1970. Rice went on to say "we are basically trying to tell the story of Christ every bit a human being. I think he increases in stature by looking at him as a man."
  9. ^ Life magazine, 28 May 1971
  10. ^ "Costless Presbyterian Church – Online Pamphlet". Freepres.org. Archived from the original on 13 April 2014.
  11. ^ Superstar Flick Renews Disputes: Jewish Groups Say Opening Could Stir Anti-Semitism Reasons Given Company Issues Statement, The New York Times
  12. ^ Jessica Winter (4 November 2003). "Mel Gibson's Jesus Christ Pose". village voice. Retrieved 21 November 2013.
  13. ^ "Jesus Christ Superstar: Show facts and figures". Archived from the original on 11 October 2008.
  14. ^ Miklós, Tibor (2002). Musical! (in Hungarian). Budapest: Novella Könyvkiadó. p. 9. ISBN963-9442-04-6.
  15. ^ "Michael Coveney: Happy birthday to the grand old men of musical theatre | WhatsOnStage". world wide web.whatsonstage.com.
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Further reading [edit]

  • Ellis Nassour, Richard Broderick. Rock Opera: The Creation of Jesus Christ Superstar, from Record Album to Broadway Show and Motion Picture. Hawthorn Books, 1973.
  • Robert Grand. Toll. Jesus Christ Superstar: The Making of a Modern Gospel. eBookIt. 2011.

External links [edit]

  • Jesus Christ Superstar, official website
  • Jesus Christ Superstar at the Cyberspace Broadway Database
  • Review on "Cool Album of the Solar day" of original London bandage recording
  • Original album cover artwork by Ernie Cefalu
  • Largest online community for Jesus Christ Superstar JesusChristSuperstarZone.com
  • Jesus Christ Superstar, Andrew Lloyd Webber site
  • Jesus Christ Superstar, timrice.co.uk
  • Lyrics
  • Jesus Christ Superstar at Playbill Vault:
    • 1971 – Original production
    • 1977 – First revival
    • 2000 – Second revival
    • 2012 – 3rd revival
  • "Jesus Christ Superstar, orchestral score". Victoria and Albert Museum. Archived from the original on 12 Apr 2011. Retrieved 24 March 2011.
  • Jesusmania!The Bootleg Superstar of Gettysburg College, about an illicit amateur production staged in March 1971

hobsonyestu1966.blogspot.com

Source: https://en.wikipedia.org/wiki/Jesus_Christ_Superstar

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